The two develop a bond as Marianne sets out to observe Héloïse by day to paint her portrait at night. Set in the 1770 French seaside, Portrait tells the story of a young artist, Marianne (Noémie Merlant), commissioned to paint the wedding portrait of a young woman, Héloïse (Adèle Haenel) - but without her knowledge. I still haven’t recovered from French director Céline Sciamma’s lesbian drama.
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Their surprise co-proposal in the season two finale, in which Angel gets down on one knee and Papi follows suit, has got to be one of the most endearing proposals in TV history. this year, Papi’s radical love for Angel is a powerful example of what a cis man loving and caring for a trans woman can look like. In a time in which at least 19 Black trans women have already been killed by violent means in the U.S.
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Instead, Angel embarks on a professional modeling career and finds love in an unexpected place: with her adorable, street-wise Evangelista brother, Lil Papi, who soon takes on the role of Angel’s doting boyfriend and manager. He’s a bit of a drag, and thankfully he’s out of the picture in season two. In season one of Pose, Angel (Indya Moore) - the young trans woman, sex worker, and beloved daughter of the House of Evangelista - finds herself involved with a married, cisgender, heterosexual guy (Evan Peters). Pose: Season 2 Episode 10 - “In My Heels” Their bar bathroom hookup caused me a great deal of anxiety, but seeing two queer Latinas hot and heavy on screen is nonetheless a cause to celebrate. After weeks of tension between Emma and the dreamy Nico (Roberta Colindrez), the two finally do the deed. A season two episode starts with Emma and Cruz having steamy sex (and putting a condom on a vibrator, which is the correct and safest way to use a vibrator).īut it isn’t until the season two finale that Emma finally gets sex and romance. She also begins a fling with her childhood crush, Cruz (Maria-Elena Laas). In one of the first season’s most talked-about moments, Emma has sex with a non-binary hookup she meets online. The revelation is a particular shock to the elder of the two sisters, Emma (Mishel Prada), who as a teen was sent away by Vida for being queer.Įmma, who hasn’t recovered from this experience, is guarded and uses sex as a power move. They soon learn that their mom was hiding the fact that she was married to a woman (non-binary Chicanx actor Ser Anzoategui), and the bar she owned and ran their entire life had become a safe space for East L.A.’s Chicanx lesbians. Vida tells the story of two Mexican-American sisters from Los Angeles who return home to a gentrifying Boyle Heights to take over a family bar following the sudden death of their mother, Vidalia. This should come as no surprise - after all, the show’s writers room is 100% Latinx, almost entirely women, and more than a third queer. Mexican-American showrunner Tanya Saracho’s Chicanx drama has given us some of the most memorable queer Latinx sex scenes of the Trump presidency. Unfortunately, then things kind of go downhill. It’s everything we’d been waiting for all season. That moment comes in the season finale when Rue suggests the two of them leave town and proceeds to confidently, and finally, kiss Jules without first asking, which is what Jules asked and hoped that she would do. (Until now, Sense8 might be the most well known.)Įpisode four brings us one of the year’s dreamiest, most theatrical onscreen smooches, as the two best friends share their first kiss, but that’s not the moment.
Though trans representation is slowly, slowly (emphasis on slowly) improving, love stories between trans women and cis women - or between trans men and cis men, for that matter - are few and far between. Adorable and complex, their love is also somewhat unprecedented onscreen.